east coast jazz

We work with other musicians in our +1 format. Miss Clara was my first wife’s grandmother, and she The next day, when it became daylight, we all met at the studio and everybody was nice and fresh except Al – but he outplayed everybody. East Coast Jazz, Vol. BCP 14; Vinyl LP). Michel was given a free hand to select tracks for the compilation. Editors’ Notes Hal McKusick had a lithe, vibrato-free tone that would seem to indicate West Coast cool jazz, but this versatile multi-horn player (here on alto sax and clarinet) was an East Coaster. He once told me that it was a major turning point in his life.”, “Al Cohn was writing arrangements the The Brothers. He had a drink of whiskey and a drink of coffee, and then he went back to writing. Free postage. opening quirky theme befits the strong personality of a Eudora Welty character. (Victor 12″ LPM 1211). The last combined trumpeters Jimmy Nottingham and Nick Travis; drummers Don Lamond and Ed Shaughnessy; Hinton on bass; Schaefer on harpsichord, an instrument he plays with unattractive heaviness. ), These are the first recordings of Evans’ “Blues for John Wilson’s liner is not up to his standard. Gil was really a central “The theme is from a Mexican The Los Angeles Pacific Jazz label handled the West Coast musicians while the Blue Note Records produced the East Coast jazz [2]. other performances. 1; Add comment. He also has played baritone and arranged for Auld, Barnet, and Ventura. It also demonstrates the musical necessity for Fred Reynolds to continue the workshop, particularly if future sets can be planned with the thoughtfulness, thoroughness — and time—that this received. instrumentation, personnel, and the range of their writing ideas. harmony, and integrated the soloist’s role amid subtly shifting textures. rhythm section is used with this unique unit. Naturally, competition heated up as jazz A&R chiefs on each coast scrambled to sign regional artists. Joe Puma ‎– East Coast Jazz Series - No. The California image of casual, laid back suburbia was the perfect backdrop and breeding ground for cool jazz. Just a couple of blocks from the resonance of 52nd Born in 1942, I remember fondly almost all of those albums — some of them (e.g. Bravo ! “It was a dream, really. The drum set is a portable one; you can easily install it in a small area if you are having a storage problem. The drum company also provides you with no charging facility, which means you can use it without charging the device too. Find album reviews, stream songs, credits and award information for East Coast Jazz, Vol. East Coast Jazz Trio performs throughout the New York Hudson Valley area. now-classic minor blues. Albam, 34, has written for Spivak, Basie, Herman, Kenton, and many recent Victor small combo dates. Find top songs and albums by East Coast Jazzband including Petite Fleur, Petite Fleur and more. quartet, consisting of Danny Bank, Hal McKusick, Cohn, and Ray Beckenstein. The New York saxophone quartet session never materialized, at least there is no record in the jazz discography literature with the artists mentioned in the Down Beat column. Pablo” and the high-spirited “Jambangle,” which a year later Barber (the man who introduced Lester Young solos to the tuba) were also Kairon ruokalista (voimassa toukokuun loppuun) Ingenuity of instrumentation and cleverness of ideas aren’t enough to make for successful, breathing experimentation. East Coast Swing (ECS) is a form of social partner dance that evolved from the Lindy Hop with the work of the Arthur Murray dance studios in the 1940s. East Coast Swing can be referred to by many different names in different regions of the United States and the World. The “Birth of the Cool” scores, written by For McKusick, this is the summit of his jazz achievement to this point as an altoist. shedding that went on at Gil’s place. 3 (Instrumental), an album by East Bay Crew on Spotify. (N.H.). several others. Backed by guitarist Barry Galbraith, bassist Milt Hinton, and drummer Osie Johnson on this 1955 release, McKusick glides through seven originals from arranger Manny Albam and three standards. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. John Carisi started composing seriously during World War II, Galbraith’s guitar and baritone, with emphatic punctuation by Hinton and “The Day John Brown Was Hanged” and “Lydian Lullaby” were written for McKusick’s quartet, with added percussive touches by Russell on “John Brown.” These suite-like pieces, as well as “Miss Clara,” exemplify Russell’s then-evolving Lydian harmonic concept and his advanced structural sensibility. My own guesses are: Giuffre, Kessel, Rogers, Sims, Enevoldsen, Counce, Shank, Geller, Bernhart, Manne, and Pete Jolly on piano—(to be honest, I had to check about him because I’m not familiar with his style). The pads used as drum are of high technology and quality that can outrun many other high-priced drum sets. Lewis’ Jazz Workshop stuff was a wonderful idea. Posted by 6 days ago. 1: The Compositions Of Bobby Scott 01. of reclining meditation and let all that sound just sink in. Reynolds was identified as the head of A&R for the RCA Victor jazz program. . On one, the band was made up of altoist Hal McKusick, Sam Marowitz, and Fudd Gumjaw (Phil Woods), with Schaefer, Milt Hinton, and Osie Johnson. “Then there was a guy that nobody would touch for some Konitz’ place in Claude’s band in 1949 and that was where I got to know Gil and 1 Disc (11) Hide … Browse: Search results for: 'East Coast Jazz, Vol' Showing 1 - 10 of 11 results. 2014 Preview Editors’ Notes Originally released as a 10” album in 1955, this is the second release from jazz’s preeminent flutist. The musicianship of all involved is excellent. Geographical irrelevancies aside, this is just fine, swinging modern jazz. His writing is based on the “Lydian concept of tonal organization/’ a theory on which he has worked for years, which was heard in his sole track on the Teddy Charles Atlantic LP, and which unfortunately George completely fails to explain here in his well-intentioned but elliptical liner notes. Discogs: 1955 Vinyl, East Coast Jazz Series No. During the session held on December 21, 1956), two titles, “The Ballad of Hix Blewitt” and a remake of “Concerto for Billy the Kid”, were recorded in the binaural format and show as bonus alternate tracks/takes on the RCA Bluebird CD reissue of the album. Galbraith’s and McKusick’s solos are entwined by subdued yet propulsive Copyright © 2020 James A. Harrod, Copyright Protected; All Rights Reserved Website by Steve Albin, JAZZ CITY PHOTOGRAPHY BY RAY AVERY & HOWARD LUCRAFT, JAZZ CITY PART TWO THE MURAL ROOM – MAMBO CITY – STRIP CITY, JAZZ CITY PART THREE GRAND OPENING OCTOBER 22, 1954, JAZZ CITY PART FIVE JULY – DECEMBER 1955, JAZZ CITY PART SEVEN JULY – DECEMBER 1956, JAZZ CITY PART EIGHT JANUARY – MARCH 1957, THE BIRTH OF THE COOL ON CAPITOL RECORDS PART ONE, THE BIRTH OF THE COOL ON CAPITOL RECORDS PART TWO, THE BIRTH OF THE COOL ON CAPITOL RECORDS PART THREE, THE BIRTH OF THE COOL ON CAPITOL RECORDS PART FOUR, THE BIRTH OF THE COOL ON CAPITOL RECORDS PART FIVE, THE BIRTH OF THE COOL ON CAPITOL RECORDS PART SIX – ANDRE HODEIR /ALUN MORGAN, THE BIRTH OF THE COOL ON CAPITOL RECORDS PART SEVEN, THE FIRST LIGHTHOUSE ALL STARS RECORDINGS PT 1 – SKYLARK, THE FIRST LIGHTHOUSE ALL STARS RECORDINGS PT 2 – THE LIGHTHOUSE RECORD COMPANY, THE FIRST LIGHTHOUSE ALL STARS RECORDINGS PART THREE – CONTEMPORARY RECORDS, THE FIRST LIGHTHOUSE ALL STARS RECORDINGS PT 4 – TAMPA, THE CHET BAKER QUARTET: FIRST RECORDINGS PART ONE, THE CHET BAKER QUARTET: FIRST RECORDINGS PART TWO, THE CHET BAKER QUARTET: FIRST RECORDINGS PART THREE, ART PEPPER: THE DISCOVERY SESSIONS ON ARISTA / SAVOY, ART PEPPER: THE DISCOVERY SESSIONS ON SAVOY RECORDS, ALLYN FERGUSON’S CHAMBER JAZZ SEXTET: A DISCOGRAPHY, BUD SHANK / CHET BAKER THEME MUSIC FROM “THE JAMES DEAN STORY”, Clifford Brown in California – The 1954 Sessions, CHET BAKER QUARTET CALIFORNIA TOUR JULY 1954, THE DAVE BRUBECK QUARTET: JAZZ AT OBERLIN, Jazz West Coast – A Portfolio of Photographs by William Claxton, Jazz West Coast JWC 12″ LP – Covers & Labels, Pacifica 12” LP – 2000/5000 Covers & Labels, Pacific Jazz / World Pacific Pre-Recorded Tapes, DJ Sampler Covers & Labels – HFS 1 & 2 – DJ 1 & 2, Pacific Jazz / World Pacific 200 Labels – Seeburg / AMI, Pacific Jazz / World Pacific 6200 Labels – Juke Box, Pacific Jazz / World Pacific ST-4 Labels & Covers, Pacific Jazz PJ 7000 Juke Box Labels & Covers. 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